Katharine Pleydell-Bouverie archive 1895-1985
Related Entities
There are 10 Entities related to this resource.
Tanner Robin 1904-1989
http://n2t.net/ark:/99166/w6mj2sbp (person)
Cardew, Michael, 1901-1983
http://n2t.net/ark:/99166/w6ht6gs4 (person)
Leach, Bernard, 1887-1979
http://n2t.net/ark:/99166/w6tb1qwf (person)
Bernard Leach was born in 1887 in Hong Kong and lived in the Far East until the age of ten, when he came to England as a pupil of Beaumont Jesuit College, Windsor. At the age of 16, in 1903, he went to the Slade, as their youngest student, to study drawing under Professor Henry Tonks. After a year's stint as a bank clerk he left the Hong Kong and Shanghai Bank in 1907 to learn etching under Frank Brangwyn at the London School of Art and in 1909 went to work in Japan as an etcher. ...
Pleydell-Bouverie, Katharine, 1895-1985
http://n2t.net/ark:/99166/w6nx4nsq (person)
Little Gallery London England
http://n2t.net/ark:/99166/w6f33x40 (corporateBody)
Braden Nora 1901-2001
http://n2t.net/ark:/99166/w6kv1vgq (person)
Katharine Pleydell-Bouverie
http://n2t.net/ark:/99166/w6ch4wd2 (person)
Katharine Pleydell-Bouverie was born in 1895 and brought up on her family estate Coleshill Manor, in Berkshire. After working in the Red Cross during World War I she moved to London and in the 1920's, on seeing Roger Fry's pots made for the Omega Workshops, went on to study at the Central School of Arts and Crafts, initially at evening classes, under Dora Billington. After meeting Bernard Leach in 1923 at one of his London exhibitions she went to work with him in 1924 fo...
Cole Pottery England
http://n2t.net/ark:/99166/w6169gnx (corporateBody)
Leach Pottery England
http://n2t.net/ark:/99166/w6rh0sr6 (corporateBody)
Rose, Muriel, 1897-1986
http://n2t.net/ark:/99166/w6586ggg (person)
Muriel Rose was born in 1897 . From 1917 to 1920 she was a member of the Voluntary Aid Detachment (VAD). Rose began her long association with the crafts working as an assistant to Dorothy Hutton in the Three Shields Gallery, Kensington and assisting the selection committee at the 1926 exhibition of The Arts and Crafts Exhibition Society. It was there that she first thought of running her own gallery. Rose persuaded her father to allow her to use the 400 left in her broth...